Spirit in the Land SCAR A pencil un-encased from its

A pencil un-encased from its traditional wooden holder

Readers are thus drawn through the landscape of Cage’s mycologically centred oeuvre and interests

Sanzo Wada (1883-1967) was an artist

000 of the world's greatest objects in one large-format volume - from everyday items by anonymous creators to lauded pieces by the likes of Charles and Ray Eames

Spirit in the Land SCAR A pencil un-encased from itsSpirit in the Land examines todays urgent ecological concerns from a fresh perspective. Through their artwork and writing, contemporary artists show how cultural identity and traditions are deeply rooted in our relationship with the land, illustrate the restorative need to return to nature, and exemplify how biodiversity and cultural diversity are essential to our survival. The exhibition and catalogue center the voices of underrepresented artists,